1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy  Related Paintings of John Constable :. | Malvern Hall, | Brighton Beach 12 june 1824 | Hampstead Heath looking to Harrwo | The edge of a heath by moonlight | The Valley of the Stour at sunset 31 October1812 |
Related Artists:
Richard Dey De Ribcowsky
painted Twilight Seascape in 1911
Arthur Tozart
(1800 -1900 ) - Painter
Alfred Dedreux
1810-1860,French painter and draughtsman. His father was the architect Pierre-Anne Dedreux (1788-1849); Alfred's sister, Louise-Marie Becq de Fouqui?res (1825-92), was also an artist. His uncle, Pierre-Joseph Dedreux-Dorcy (1789-1874), a painter and intimate friend of Gericault, took Dedreux frequently to the atelier of Gericault whose choice of subjects, especially horses, had a lasting influence on him. During the 1820s he studied with L?on Cogniet, although his early style was more influenced by the work of Stubbs, Morland, Constable and Landseer, exposure to which probably came through Gericault and the painter Eugene Lami who lived in London in the mid-1820s.